Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Monday, April 9, 2012

The Ballad of King Leir and His Three Daughters

Starting to study for exams has reminded me how much I love the course material and specifically, Shakespeare's King Lear. While I bask in Will's beautiful eloquence (Who am I kidding? Considering I am not an actress, it is somewhat absurd how many lines I am capable of reciting verbatim.), I just thought I'd share a ballad based on King Lear, or Leir, if you go by one of the pre-Shakespeare spellings of his name.

Here are the lyrics below.

A Lamentable Song of the Death of King Leir and his Three Daughters

TO THE TUNE OF 'WHEN FLYING FAME'

King Leir once ruled in this land
With princely power and peace;
And had all things with hearts content,
That might his joys increase.
Amongst those things that nature gave,
Three daughters fair had he,
So princely seeming beautiful,
As fairer could not be.

So on a time it pleas'd the king
A question thus to move,
Which of his daughters to his grace
Could shew the dearest love:
For to my age you bring content,
Quoth he, then let me hear,
Which of you three in plighted troth
The kindest will appear.

To whom the eldest thus began;
Dear father, mind, quoth she,
Before your face, to do you good,
My blood shall render'd be:
And for your sake my bleeding heart
Shall here be cut in twain,
Ere that I see your reverend age
The smallest grief sustain.

And so will I, the second said;
Dear father, for your sake,
The worst of all extremities
I'll gently undertake:
And serve your highness night and day
With diligence and love;
That sweet content and quietness
Discomforts may remove.

In doing so, you glad my soul,
The aged king reply'd;
But what sayst thou, my youngest girl,
How is thy love ally'd?
My love (quoth young Cordelia then)
Which to your grace I owe,
Shall be the duty of a child,
And that is all I'll show.

And wilt thou shew no more, quoth he,
Than doth thy duty bind?
I well perceive thy love is small,
When as no more I find.
Henceforth I banish thee my court,
Thou art no child of mine;
Nor any part of this my realm
By favour shall be thine.

Thy elder sisters loves are more
Then well I can demand,
To whom I equally bestow
My kingdome and my land,
My pompal state and all my goods,
That lovingly I may
With those thy sisters be maintain'd
Until my dying day.

Thus flattering speeches won renown,
By these two sisters here;
The third had causeless banishment,
Yet was her love more dear:
For poor Cordelia patiently
Went wandring up and down,
Unhelp'd, unpity'd, gentle maid,
Through many an English town:

Untill at last in famous France
She gentler fortunes found;
Though poor and bare, yet she was deem'd
The fairest on the ground:
Where when the king her virtues heard,
And this fair lady seen,
With full consent of all his court
He made his wife and queen.

Her father king Leir this while
With his two daughters staid:
Forgetful of their promis'd loves,
Full soon the same decay'd;
And living in queen Ragan's court,
The eldest of the twain,
She took from him his chiefest means,
And most of all his train.

For whereas twenty men were wont
To wait with bended knee:
She gave allowance but to ten,
And after scarce to three;
Nay, one she thought too much for him;
So took she all away,
In hope that in her court, good king,
He would no longer stay.

Am I rewarded thus, quoth he,
In giving all I have
Unto my children, and to beg
For what I lately gave?
I'll go unto my Gonorell:
My second child, I know,
Will be more kind and pitiful,
And will relieve my woe.

Full fast he hies then to her court;
Where when she heard his moan
Return'd him answer, That she griev'd
That all his means were gone:
But no way could relieve his wants;
Yet if that he would stay
Within her kitchen, he should have
What scullions gave away.

When he had heard, with bitter tears,
He made his answer then;
In what I did let me be made
Example to all men.
I will return again, quoth he,
Unto my Ragan's court;
She will not use me thus, I hope,
But in a kinder sort.

Where when he came, she gave command
To drive him thence away:
When he was well within her court
(She said) he would not stay.
Then back again to Gonorell
The woeful king did hie,
That in her kitchen he might have
What scullion boy set by.

But there of that he was deny'd,
Which she had promis'd late:
For once refusing, he should not
Come after to her gate.
Thus twixt his daughters, for relief
He wandred up and down;
Being glad to feed on beggars food,
That lately wore a crown.

And calling to remembrance then
His youngest daughters words,
That said the duty of a child
Was all that love affords:
But doubting to repair to her,
Whom he had banish'd so,
Grew frantick mad; for in his mind
He bore the wounds of woe:

Which made him rend his milk-white locks,
And tresses from his head,
And all with blood bestain his cheeks,
With age and honour spread.
To hills and woods and watry founts
He made his hourly moan,
Till hills and woods and sensless things,
Did seem to sigh and groan.

Even thus possest with discontents,
He passed o're to France,
In hopes from fair Cordelia there,
To find some gentler chance;
Most virtuous dame! which when she heard,
Of this her father's grief,
As duty bound, she quickly sent
Him comfort and relief:
And by a train of noble peers,
In brave and gallant sort,
She gave in charge he should be brought
To Aganippus' court;
Whose royal king, with noble mind
So freely gave consent,
To muster up his knights at arms,
To fame and courage bent.

And so to England came with speed,
To repossesse king Leir
And drive his daughters from their thrones
By his Cordelia dear.
Where she, true-hearted noble queen,
Was in the battel slain;
Yet he, good king, in his old days,
Possest his crown again.

But when he heard Cordelia's death,
Who died indeed for love
Of her dear father, in whose cause
She did this battle move;
He swooning fell upon her breast,
From whence he never parted:
But on her bosom left his life,
That was so truly hearted.

The lords and nobles when they saw
The end of these events,
The other sisters unto death
They doomed by consents;
And being dead, their crowns they left
Unto the next of kin:
Thus have you seen the fall of pride,
And disobedient sin.

Wednesday, March 21, 2012

Life of Pi

I fell in love with Yann Martel's Beatrice and Virgil about a year ago. There was something beautiful in his luscious sensory language that kept me riveted and enchanted. Where some Victorian novels are (in terms of their descriptive language) like a very, very, very dense cake, and where some modern novels are so sparse in their use of language that they are so geometric and almost bleak, Beatrice and Virgil seemed to be just the right blend of descriptive language and plot.

Yesterday, I finished reading Yann Martel's Life of Pi. What an amazing story! It is considerably different from Beatrice and Virgil, although they both actively employ animals in their stories (albeit in very different ways). I highly recommend both Beatrice and Virgil and Life of Pi!

Monday, March 19, 2012

1984

About a week ago, I read George Orwell's 1984. I did the majority of my reading on in the airport, in the plane, in the car, and in the hotel in Halifax. Living in in the GTA, I would have thought I would have spent more time enjoying the outdoors of Halifax (especially considering the spells of nice weather that we had for two of the four days spent in Halifax), but I spent most of the time indoors at Dalhousie University and the University of King's College. The time I spent outside was mostly the 20 minute walks to and from the university and the hotel. I would have gone out more often, but it always seemed to be quite late when I finally came to the hotel, and by that point, my parents were quite tired to go with me, and they did not want me wandering around an unfamiliar city on my own at night.

So, I spent my evenings reading. Orwell's 1984 is a captivating and fast-paced dystopian novel. It is a social critique. Published in 1949 and set in the then-future 1984, the novel follows protagonist Winston Smith as he quietly attempts to challenge the oligarchical dictatorship of Big Brother's Party.

The premise of the dictatorship is the Party's ability to limit all thinking. There is no critical thinking in the society of Oceania. The language, Newspeak, is so limited in its vocabulary that it lacks all the beautiful subtleties and colours of today's English, known derogatorily as Oldspeak. Newspeak users speak in a quick staccato, and the language's quickness makes it so much easier to rush over the meanings of the words. You don't dwell on the words meanings because you don't have time. The word "Minipax," for example, which refers to the Ministry of Peace (which, oddly enough, concerns itself with war), is so easy to roll off your tongue that you don't think about the word "Ministry" and its meanings of institutions and hierarchical judgement. You don't think about the word "Peace" and its corresponding ideas of contentment, values, safety, security, and its opposing associated ideas of war, violence, discontentment, etc.

The book makes me wonder about Tumblr. Don't get me wrong, I enjoy a good (few hours?!) spent on Tumblr -- there are some posts that are absolutely hilarious! I wonder whether the pace at which we scroll through Tumblr though means that we don't have time to actively think about the images and text that we see and read. Instead we just digest it, without any sort of critical thoughts. We talked about this in English class a bit. It stuck with me, and came up again while reading 1984.

Saturday, November 5, 2011

Objectiveness and Emotional Investments

I'm currently reading Shakespeare's masterpiece King Lear and have been thinking about how emotional responses to characters and empathy with characters can often cloud our argumentative judgement. If we're trying, for example, to analyze the character Cordelia, it is difficult to remain objective if we have emotionally invested ourselves in liking her character. Such is especially the case when viewing a well-acted and well-made film interpretation of the play, such as the PBS Great Performances series of King Lear directed by the talented Trevor Nunn (which can be watched at http://www.pbs.org/wnet/gperf/tag/trevor-nunn/). We are often moved to empathize with all of the characters in the play; the relationship between the Fool and Lear makes our hearts wrench, and some sympathy can even be felt for Lear's antagonistic eldest daughter, Gonoril.

The same can be said for life outside of literature. Our ability to empathize with the people around us is what makes us more kind, more compassionate, and more human. Empathy is often the basis of philanthropy. However, empathy is also often the basis for bias. How can we objectively analyze a situation, a person, or ourselves if we have become emotionally invested in a certain viewpoint or perspective?

Wednesday, June 8, 2011

Study Music and Exam Finals

You know it's exam week for us students when you see us retreating into our homes, sticking the CD into the CD player, creating playlists with our Youtube account or on our Windows Media Player titled 'study music,' sitting outside with our textbooks and pens and papers with headphones practically permanently glued to our ears.

Music helps me study, and I know for a lot of other people, it helps them study as well. The question is, why? There is both value in music and silence, and it would be an absolute shame to think that silence is not as important as music because it is at the very least equally important. Muisc, however, provides something that silence does not. It fills in the parts of your brain that would have gotten filled in with junk thoughts, with trash distractions, with oh-wow-it's-really-hot-this-summer and I-wonder-what's-for-dinner-tonight, which are all valuable thoughts, but not necessarily the best sort of thoughts that you want to have during focused study time. Music, to me, when it's background study music, really puts everything in focus. It keeps your mind from wandering off to trivial things, and keeps you focused. It sets you free to delve deeper and deeper into your subject without getting too far off track.

And it's a stress reliever. Which we all need during exam week, of course.

Monday, June 6, 2011

Thought as a Form of Music

Today was our last day of classes at school, and yet it didn't really feel that way. We had one of my favourite classes for last period; it's a very thought provoking course, so once we it had finished, my friends and I were all a little sad about it being over. I suppose it might've been just a way of extending the course and avoiding saying goodbye, or perhaps it was just an attempt to procrastinate and avoid actually doing work and studying for exam finals, but we ended up going to the music room at school and just hanging out, thinking, and talking about identity, life, and emotions.

We were in a music room, and we weren't exactly singing or jamming on the instruments. There were no guitar cases open, no violin bows in our hands, no clarinet reeds between our lips... And yet, there is some sort of music-like feel in the thinking that we did today. Thinking has a rhythm and a flow, much like the way music does. And when you finally pull yourself from your seat, from the conversations, from the spoken thoughts to go home and get back to your studying and day-to-day life, you carry with you the feeling of thinking, the feeling of music, the feeling of I-thought-today and I-feel-good-about-it.

There's a sort of beauty in this 'music.' It's not exactly the same as instrumental, vocal, choral, orchestral, and all the other sorts of music... It's not Classical, it's not Pop, or Hip Hop... but it's beautiful all the same, and I'm very glad that we got to experience this beautiful music this afternoon. I may have not studied for my science exam, but in all truth, this was so much worth it.

Saturday, June 4, 2011

Musical Practice and Meditation

The act of practising music is a very odd sort of thing. Musical practice is meditation-- it's a time when you can just sit, breathe, and listen. It's a dance, too. Your arms moving away from your centre, towards you again, forward, back... And then your own body swaying with your violin, hunched over your double bass, caressing against your guitar. You're enveloped in sound, but still, I find that when I practice, it is more about a quiet peace than constant reverberating sound waves that echo back and forth and back and forth.

Music practice is what gives me quiet in my day. I read once that one of the most important parts of a day-to-day routine should be to always find time for quiet. Quiet gives you space, it gives you time, it gives you thought, and it gives you energy. To find the time to practice, even just 1/2 and hour of just open strings on my cello, or a C-major scale on the piano, that is my time for quiet, for peace, for thought.

And the results --in both my mental well being and my technique on my musical instrument-- are tremendous.

Saturday, February 19, 2011

Music and Philosophy

In one of my classes at my high school, we're reading Astra Taylor' "Examined Life," which is a transcript of the film version by the same name. In "Examined Life," Taylor attempts to bring philosophy closer to the people of the streets (or rather, the everyday people and their every day lives) by having walking (or driving, or boating, etc.) conversations with some of the world's leading philosophers including Peter Singer, Slavoj Zizek, Michael Hardt, Kwame Anthony Appiah, Judith Butler (with Sunaura Taylor), Martha Nussbaum, Avital Ronell, and Cornel West. So far, we have only studied in class Singer, Zizek, Hardt, Appiah, and, most recently, West.

The reason why I have decided to mention this aspect of my class is because of the interview with West, which has striking references to music. Cornel West is not only a philosopher, but a musician as well. I highly recommend that you read West's conversation with Taylor from "Examined Life." Who knows? Maybe you will also decide to read all the other fantastic conversations as well -- philosophy and music are both extremely interesting, after all.

Saturday, January 2, 2010

Twelve Angry Men and a Phoenix Wright

I just finished reading "Twelve Angry Men" by Reginald Rose, and I loved it! The teleplay is about twelve jurors trying to come to a verdict in regards to a sixteen-year-old boy who supposedly murdered his father. The play starts with an initial vote between the jurors. It's 11-1, in favour of guilty.

There's only one man who believes that there's enough room for doubt. This one man, juror number eight, doesn't believe that the defendant is innocent. To contrast, Eight simply doesn't KNOW that the boy is guilty. Eight looks past prejudices in order to prolong the jury's decision. He is determined not to sentence the boy to death on the basis of assumption.

There's a similar video game for Nintendo DS called Phoenix Wright: Ace Attorney which follows the story of a newbie defense attorney who fights for the truth. The entire while I was reading Rose's masterpiece, I had Phoenix Wright music playing in my head.

So here's a YouTube link to some of the music from the first game (Phoenix Wright has a whole series. A wonderful series.):
http://www.youtube.com/watch?v=b3_VTviC5dc

I hope you enjoy the music. Hopefully you'll check out the games (they're really good!) and either read or watch "Twelve Angry Men".